Faux Finishes

Today's post will be all about taking shortcuts in our painting.  Why spend hours making layer upon layer of paint when you could just do a faux finish in a whole lot less time and money?  So, there are gonna be lots of pictures, and for each finish I will just list the tools and the paint colors that I used.  The paints for these finishes are by Folk Art, that brand is the thickest of all the brand of crafting paints and therefore goes much further.  All these are my practice boards so to speak, and are done on canvas sheets.  I keep them for reference to show clients for backgrounds.  Here we go!!!

Some rules that apply to these finishes...Completely drying something means that it can't be cool to the touch, because that means that it is still wet down under the top skin of paint.  Walk away, let it dry!  When you go on to a second step in a process, work fairly quickly as you don't want it to start drying while you are still trying to work with the paints.  When working with sponges, be sure to wet it first and then wring it out real well, maybe even giving it a good squeeze with a cloth towel.  Try to pick up liquid off a counter with a dry sponge...now try again with a sponge that has been wet and then wrung out.  Amazing how much better and more efficient a dampened sponge works!

First.  Woodgrain.
Basecoat with Butter Pecan, and let it dry completely.  Next is a mix of two parts of glazing medium (from the craft store is fine) with one part of Burnt Sienna.  Paint over the entire surface with the mix.  Use your woodgraining tool (can get one at the hardware store or online) and pull through the paint while slowly rocking it to obtain the look you want.  Because this mix had the glazing medium in it, you have some time to work with it.  IF you don't like your first attempt, just repaint it with the paint that is already on the surface and try again.  Let your rows overlap just slightly.  Let it dry.

Second.  Kinda looks like faux leather, depending on what colors you use.
Basecoat with Yellow Ochre, and let it dry completely.  Make a mix of glazing medium and Burnt Sienna, equal parts of both.  Work quickly and paint over the surface, lay a plastic shopping bag (writing on the INSIDE!) down over the top.  Squish it around, leaving wrinkles all over.  Peel it off and there you go.  Don't like it?  Just redo it real quick.  Let it dry.

Third.  Damp Sponge Background.
Here is where you use one of those sea sponges with all the holes in it, be sure to dampen and wring out.  On a throw away recycled lid, put out Burnt Carmine, Violet Pansy, and Wicker White.  Pick up some of each color and apply all over and repeat until your surface is covered.  IF you need more open time to work, add just a bit of glazing medium with each color before you start.  Rotate the sponge as you are pressing it down so that you don't get all the holes in the same places all the time.  I have used the technique quite a bit when doing memory boxes for area hospitals.  You can make a really soft pastel background to paint little baby things on.

Fourth.  Damp Sponge Marble.
This is done like above as far as using a sponge, but it looks more like a marble due to the colors used.  Basecoat in Burnt Umber, and let it dry.  Now use water and thin the paint down a bit, it isn't going to be quite one to one.  You don't want your paint runny, but you want it thinner than it comes out of the bottle.  Colors that I used are- Burnt Sienna, Raw Sienna, Butter Pecan, Metallic Inca Gold, and Burnt Umber.  Use your Sea Sponge and work while it is wet with all the different colors til you get the look you want.

Fifth.  Denim.
Basecoat in Navy Blue, and let it dry.  Second layer is a mix of glazing medium and a touch of true blue.  Put this mix on very quickly with one of those inexpensive foam brushes and then with a VERY light touch drag a dry wallpaper brush through it to leave streaks.  You can come back in and add any orangy colored stitch lines you want to after it is totally dry.  You can also float a line of the color next to the stitching to make it look more like a raised seam.

Sixth.  Linen.
Basecoat with Butter Pecan, and let it dry.  Mix of 1/2 glaze medium and a little French Vanilla and coat the canvas.  Quickly while it is wet, drag the dry wallpaper brush across it to leave fine lines.  Let it dry.  Repeat the mix and drag process again going the opposite direction.  Let it dry.  Nice background for lettering signs.

Seventh.  Crosshatching.
You are going to use a 3/4" flat brush for this one.  Wet the brush and dry it on a paper towel.  Put Teal and Extender all around the outside using small "x" motion with your brush.  Inside that comes the same technique with Cayman Blue and Extender, be sure to blend in with the first area.  The last color is Wicker White and Extender in the center, blending with the colors used before.  Can't tell you have many times I have used this for a background on many a surface!!!  You can use any two or three shades and just go from dark to light, blending in little crosshatching "x" strokes as you go.  Because of the extender, you can play with this for a while, but don't drag out the process.  Love, Love, Love this technique!!!

Eighth.  Diagonal.
Is done with a 3/4" flat brush and worked one color right after the other while it is still wet.  You do one color and then do the next one and blend to create a color in between.  Colors used are- Burnt Umber, Raw Sienna, Terra Cotta, and Linen.  Keep using the same dirty brush through the entire process and don't overwork it.  Let it dry.  I have done quite a few angels on this background after changing the colors to various shades of blues and white.

Ninth.  Crackle.
Really like putting a crackle on the background before doing something that is gonna be shabby-girly, antique or country.  Basecoated with Bayberry, and let dry.  This is really quite simple and I used the kit put out by Plaid called Crackle Coat Kit.  Do the Undercoat in ALL ONE direction.  Let it dry for about 30 minutes or until it is just tacky to the touch, no wet puddles!  Then, going in ONE direction I put on a coat of Linen.  DO NOT RESTROKE you work, it will start pulling up and moving around on you and you will end up with a mess.  Trust me on this one.  The less strokes, the better the results.  Now, sit back and watch it crackle, too cool!

I encourage you to just get some old scraps of canvas or wood and try these out.  Change up the colors and see what different effects you can get.  Always remember, it is only paint.  You can almost always sand it all off and start over!!!  Enjoy these techniques and see how you can use them to change up your furniture, walls and decorative painting surfaces.  Be sure a let me know what you think, leave me a comment.  Are you using one of these techniques to revamp something??  I would love to hear about it!!

Be sure and check back in with me next week when I tell you what I use my Flee Market Hymnal for.  Happy painting and go do something creative.  - Pam